What's On: Events

Improv Club #5

Auricle Improv ClubThe Auricle Sonic Arts Gallery
Wednesday, October 22, 2014
From 7:30pm
Facebook event

Join us for Improv Club at the Auricle every 2nd and 4th Wednesday of the month.

Open to all comers; from musical neophytes to experienced improvising musicians and experimental noise makers; from graphic scores to game play and an-archy; from free Jazz to electronically structured and open improv; from Occidental tempered scale to full bandwidth white noise; from Braxton to Cardew to Bailey and beyond.

All are welcome!

Drone Music Forever

gaussianThe Auricle Sonic Arts Gallery
Saturday October 18, 2014
Doors open 7:00pm
Facebook event

Join us for a night of continuous drone music as our drone artists celebrate the completion of the Auricle’s new ambisonic surround sound auditorium. Eight or more drone artists playing in a series of interleaved performances, where each successive performance begins five minutes before the previous performance ends. The drones will be presented on a diverse collection of sound-generating equipment that will serve to fully interrogate the intriguing concept of aesthetic time – the lived time of the experience.

Improv Club #4

Auricle Improv ClubThe Auricle Sonic Arts Gallery
Wednesday, October 8, 2014
From 7:30pm
Facebook event

Join us for Improv Club at the Auricle every 2nd and 4th Wednesday of the month.

Open to all comers; from musical neophytes to experienced improvising musicians and experimental noise makers; from graphic scores to game play and an-archy; from free Jazz to electronically structured and open improv; from Occidental tempered scale to full bandwidth white noise; from Braxton to Cardew to Bailey and beyond.

All are welcome!

For Posterity Exhibition Opening

For PosterityThe Auricle Sonic Arts Gallery
Exhibition opening Thursday 9 October, 6pm
Free entry and wines from Pegasus Bay
Facebook event

Join us at the Auricle for the exhibition opening of For Posterity by Graham Dunning (UK).

On the tape, a family’s audio diary from 1958 to 1967. In the last entry, the parents of the family explain to the youngest son the reason for making the recordings. “It’s for posterity,” the father explains. The mother adds, “for your children, and your chi…” She is interrupted and soon the tape ends. This installation is a document of the artist’s attempt to reunite the tape with its makers. The uncanny experience of a disembodied voice playing through a piece of obsolete technology, a ghost in the machine. In the age of digital media, where memories as photographs, videos and audio recordings exist only as numbers on hard-drives and CDs, or online on a distant server, the work calls into question the apparent advantages of digital over analogue technologies; the role of physical artefacts in preserving our own histories; and the function of archiving itself. Recent debates about online privacy focus on the traces of ourselves we leave behind, the ‘right to be forgotten,’ and the implications of policing this on freedom of speech and censorship. These themes are also explored in the installation through the choices of presentation of personal and sensitive material.

Graham Dunning is a London based sonic artist whose practice deals with temporality, memory and narrative through sound, performance and installation, utilizing people’s discarded memories and the function of archiving via found objects, photographs and recordings. Experimentation is fundamental and his practice is often informed by scientific or archaeological protocols.
www.grahamdunning.com